Weekend Assignment: Shooting an Ants-Eye-View
I’ve not done the research (I’ve been a bit busy this morning) but I’m fairly confident that most photos are shot at eye-level. It’s understandable of course. It’s the way that we see the world when we stand up. What could be more natural than shooting from this position? However, creativity means breaking the rules occasionally. Today therefore I’m going to extol the virtues and offer a few tips for creating images at or near ground-level.
Inevitably some of the subjects you’ll shoot will be shorter or lower than you. If you shoot from eye-level you’ll therefore be looking down on your subject. Good examples of this type of subject include children and pets (unless you’ve potential basketball player for a child or own a giraffe). Looking down on a subject isn’t a good perspective – particularly if you’re using a wide-angle lens (the head of the subject will appear unnaturally large compared to the feet).
A better approach is to shoot from the same level as your subject. Shooting this way creates a more natural and sympathetic perspective (and will stop your subject developing a crick in the neck). How low you have to go will depend on the height of subject. Personally, I’m happy to shoot lying on the ground, but that may just be me (leading to much ‘tutting’ from Mrs T when I come home covered in mud again).
There are certain practical difficulties shooting at or near ground-level. The closer the camera is to the ground, the more difficult it is to get a tripod low enough. Fortunately, lying on the ground does make hand-holding your camera far easier (particularly if you rest you elbows on the ground). Physically getting your eye to the viewfinder can also be tricky. Using Live View helps, particularly if the camera has an articulating screen.
If your camera doesn’t have an articulating screen a small mirror can be used to reflect the image from the LCD to achieve essentially the same effect (albeit with the image reversed). Some camera manufacturers sell angle-finders which can prove useful. These are essentially miniature periscopes that allow you see through the viewfinder without needing to crouch down to the same level as the camera.
Depth of field may be an issue if you want to include both a foreground and background (your foreground may be mere inches from the lens and your background could essentially be at infinity). In this sort of situation I tend not to worry about the background too much. The key is to focus precisely on your foreground subject. The foreground is probably the most important part of the composition and should therefore be the sharpest thing in the photo.
Oddly enough it’s far easier to achieve front-to-back sharpness with a digital compact camera than it is with a DSLR. For that reason (and also because digital compacts encourage this sort of experimentation) it’s my compact that I often turn to for this sort of shot.
Your weekend assignment this week is to shoot at or near ground-level. Think carefully about foreground and where you focus. Have fun, but don’t blame me too much if you end up with dirty elbows. Upload your best shots to our Free Monthly Photo Competition for a chance to win one of MyPhotoSchool online photography courses.