4 Creative Shutter Speed Effects

By Geoff Harris

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One of the most valuable tools on your camera is labelled S (or Tv if you are using Canon) and stands for Shutter Priority Mode. Turn to this mode, usually activated by a top dial or menu option, and you can experiment with slower or faster shutter speeds for some really cool, creative effects.

The shutter speed governs how long the shutter stays open and how much light reaches the sensor, so 'slow' and 'fast' are relative terms here. A second may seem to pass really quickly to us, but a shutter speed of a second in photography is considered really slow. Without getting too bogged down in the science, here are some cool effects and how you can achieve them.

1) Slow water

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Slowing down fast moving water, such as a waterfall or crashing waves, will give you that lovely 'milky' or frothy effect so beloved of landscape photographers. Since moving water is dynamic, you can get some really interesting effects by shooting it with slow shutter speeds.

Any speed slower than 1/15 second will nicely blur out moving water, and the slower you go, the more pleasing the effect. Bear in mind though that since the shutter is open for longer, more light is flooding in, so you may need to use a variable ND filter to control this, along with a narrower aperture. Slow shutter speeds will also require a remote release and tripod, to keep the rest of the scene sharp.

2) Panning

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Another great slow shutter speed effect involves keeping a moving object relatively sharp while blurring out the background – it gives much more of a sense of speed than simply freezing the moving object (when it will look like it's standing still).

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Depending on the speed of your subject, you would choose a speed between 1/8 of a second to 1/100 sec, tracking the moving object as it passes by with a smooth rotation of your hips. Focussing can be tricky, so try to track the object using continuous (AI servo) AF, or switching to Manual focus and pre-focussing on a spot that the moving object will pass by.

Panning can also be used with slower moving subjects such as people or animals, but its harder to keep them relatively sharp at the slower shutter speeds required. Practice makes perfect, though!

3) Light trails

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Everyone has seen those exciting images of fast moving traffic reduced to streaks of light, and this is also achieved by setting a very slow shutter speed and mounting the camera on a tripod. With traffic trails, pick a good spot by a busy road and try and shoot when there is at least some light left at the sky rather than it being pitch black.

Set the shutter speed to around 10 to 30 seconds, turn the ISO down to keep the shutter speed down and use a tripod and remote release to avoid camera shake as you take the shot.

4) Motion blur with people

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Another cool effect is to blur the motion of people in a busy location, such as train station, while keeping the background sharp (keeping one static person sharp really adds to the impact of the image, too). For this you will need a slower shutter speed of around a couple of seconds, but it very much depends how fast the people are moving.

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As with waterfalls, you may need a Variable ND filter to help avoid overexposure from so much light flooding into the sensor, and a tripod and remote release to keep the background/static people sharp. Get this right though and it's a really cool effect.

Geoff Harris

I am a journalist and photographer and currently work as the Deputy Editor of Amateur Photographer (AP) - http://www.amateurphotographer.co.uk the oldest weekly photographic magazine in the world. Before that I served as the editor of Digital Camera, Britain's best-selling photography magazine, for five years. During my time as editor it became the UK's top selling photo monthly and won Print Publication of the Year at the 2013 British Media Awards. As well as being lucky enough to get paid to write about photography, I've been fortunate to interview some of the greatest photographers in the world, including Elliott Erwitt, Don McCullin, Martin Parr, Terry O'Neill and Steve McCurry. This has been a wonderful learning experience and very influential on my photography. Beyond writing, I am a professional portrait, travel and documentary photographer, and reached the finals of the 2016 Pink Lady Food Photographer of the Year competition. I am a Licentiate of the Royal Photographic Society and hope to take my Associateship whenever I can find the time. In addition I write about well being/personal development and antiques collecting for a range of other titles, including BlueWings, the in-flight magazine of Finn Air.

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